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I loved this movie since I was a kid. It took me, if you can contain it, 5 years to track down a copy, and even now it’s not available from where I found it. Amy Irving is delicious and, surprisingly, can yell very well. Clive Revill is a riot as the king and for once the prince really is charming. The script has taken quite a few liberties with the chronicle, but it’s so cute I really didn’t care– Anyway, this was my accepted movie when I was a kid and I quiet appreciate watching it.
Rumpelstiltskin was released in 1987 and starred Billy Barty as Rumpelstiltskin and Amy Irving as Katie, the miller’s daughter. It’s the eminent myth from Grimms expanded and made into a musical.
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Here’s the movie’s description available from Sony Pictures: “Happily ever after has never been so golden! Amy Irving (Tuck Everlasting) stars as a miller’s daughter who must learn magic from a troll to acquire a miracle in this aesthetic musical adaptation of the beloved Brothers Grimm fairy memoir. Billy Barty (Willow), the “dean of the screen’s itsy-bitsy people” (Los Angeles Times), co-stars as the sportive troll whose name is the kingdom’s best-kept secret! After Katie’s (Irving) father boasts to the king that she can turn grain into gold, she finds herself thrown in a dungeon with orders to chase straw into gold…or else! A crafty troll (Barty) agrees to relieve her get the seemingly impossible feat - and land the king’s delicate son - but his assistance comes at a stamp. Unless she can figure out his original name, she must hand over her firstborn child!”
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The Cannon Movie Legend series of nine films has become nearly as well-liked among fairy legend enthusiasts and family film fans as Shelley Duvall’s Faerie Account Theatre. Some would argue that this series is even more accepted. Either draw, these musicals are gracious for the entire family and feature illustrious actors from the 1980s.
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James Garner’s laconic charm as Jim Rockford kept us coming benefit week after week and finally won him an Emmy in 1977. Garner, who would have been a star in any era, and sometimes seemed as if he would have fit more into films of the 1940’s, finally found the perfect role on television as Jim Rockford. He was an ex-con given a paunchy pardon when it was discovered he was innocent after all. Working as a P.I. and parking his gold Firebird in front of his trailor on the L.A. beach, Rockford could never quite shake the ex-con brand, nor could he shake his stale cellmate, Evelyn “Angel” Martin.
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Stuart Margolin was simply amazing as the scheming Angel, always with an angle, and always positive to pick up Rockford into pains when it backfired. Like Rockford, you fair couldn’t halt excited at Angel, no matter what con had blown up in his face or how mighty distress he would secure our celebrated TV detective in from time to time. Rockford and Angel remained friends because of that unspoken bond all ex-cons have, and because deep down, Angel was a stand-up guy, though you couldn’t always jabber it from looking at the surface.
Noah Beery Jr. portrayed Rockford’s lovable dad, Rocky. Rocky was a retired trucker who loved to fish, and passed on the hobby to Jim. It was the puny moments like fishing that were really the heart and soul of this indicate when you terminate to deem about it. There were always a few slice-of-life moments mingled in with the stout car chases, splendid con games, and other assorted mischief, as Rockford tried to solve a closed case and discontinue out of jail at the same time. Some weeks he was objective trying to halt alive. Rocky would always give Jim that “recognize” if he had to reach post bail.
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Joe Santos was Rockford’s often mad police pal, Dennis Becker. He was the buffer between Rockford and Becker’s superiors, who hated Rockford and wanted any excuse to pull his P.I. license. Becker was a pal, but could only do so powerful for Jim as he had to quit out of hot water himself. He had a wife and kids to wait on, and for some weird reason, that sometimes took priority over helping Rockford out of a complicated plight.
Last, but by no means least, was Gretchen Corbett as lawyer Beth Davenport. The relationship between she and Rockford was complicated. They both had a deep affection for each other, which was sometimes complicated by the attorney-client relationship. Her efforts to hold Jim out of worry with the cops took up a lot of her time. There was a romance of sorts between the two, but it never matured into something that would lead to marriage.
There were always solid guest stars, but it was Garner and his weekly regulars which made the explain what it was. Stephen J. Cannell and Roy Huggins created this unbelievable series and Juanita Bartlett wrote some of the finest scripts ever done for television. James Garner was absolutely perfect as Jim Rockford, and it has become difficult as the years have passed to separate the two in our minds.
Garner was, and is, a ample actor and veil presence who made everything gape easy. This was a terrific exhibit and one of the best ever to be beamed into our homes once a week. Everyone loved “The Rockford Files” and couldn’t wait to hear Mike Post’s astronomical theme music each week. It was recorded and turned into a grand radio hit and launched his career.
For a fourth season, we will procure to listen to all those crazy messages left on Jim Rockford’s answering machine. Fans never missed the opening of the prove because a smile or a top-notch laugh might be missed. You don’t want to miss it either.
“This is Jim Rockford. At the tone, leave your name and message and I’ll accept succor to you.”
Hard to digest the fact that this is coming out so discontinuance to the release of Season 3 (which I objective reviewed!) Anyway, I have seen some of these eps on my local TV and the dvd site isn’t out yet but I suspect the quality will be as top notch as the previous seasons. What I wanted to weigh in on is the brillance slack the display. How they continuously and yet CREDIBLY (very vital) got Jim Rockford into peril each week is nothing short of unbelievable… and when I hear Angel Martins quivering order, no matter what is being said I HAVE to laugh. Intellectual! Throw in Becker and Joseph Rockford and you’ve got a bonafide hit… and of course I saved the “Beth” for last:) Gretchen Corbett my heart is detached yours after all these years:) ~
TV will never be better than the Rockford Files, and I have to commend Universal on releasing these seasons so snappy, with Delicate artwork, and on single sided non-freezing discs… now can you redo the A-Team with similar quality control?? Charging people for discs that play 2 out of 6 episodes should be a crime even Beth couldn’t bail you out of. Now, release Season 5 next month:)
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I’m David Shaber’s daughter, Sam, (Samantha.) My father wrote the screenplay for The Warriors, and I’m hoping this “review” gets printed because he honest passed away on Thursday morning, November 4th, of a sudden burst anneurism. With so many “Warriors” fans out there, I understanding you would want to know. I’m incredibly warmed by these amazing comments about this film and I know that if he read them (although he had barely learned how to search the internet before he died) he would chuckle in his lighthearted device and say something like “Oh, well isn’t that nice,” all-the-while refusing to lift credit for any of it. But I know he deserved that credit, having taken a unlit, psychological search for of gang warfare and infusing it with a classic but clever and topical, great vs. immoral sage. (And maybe I shouldn’t admit it, but my dad didn’t really like the baseball face-paint thought which I gain was one of Walter Hill’s additions - he concept that was too unrealistic and “Hollywood”…) Anyway, I do hope the movie is re-issued with the extra scenes at some point, and for those dependable “followers” I unbiased discovered that you can glean a complete list of his produced titles on the Internet Movie Database (IMDb.com) if you want to check it out. The Warriors is indeed an AFFECTING characterize, whether you like it or disfavor it. So thanks for your comments and acquire care, -Sam.
Walter Hill ( “48 Hrs”, “Hard Times”, “Improper Prejudice” ) shows his directing flair for action, drama and style in this crackling 1979 movie about a Coney Island gang falsely accused of cancel and fleeing from their accusers….the other NYC gangs and the Recent York City Police Department.
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Hill successfully adapted to the cover the moderately well-liked new by author Sol Yurick who worked with the NYC Dept of Welfare in the 1950’s. Yurick worn the basis of veteran Greek history and the torturous slide home by Greek soldiers after their leader, Cyrus the Younger, was killed in the Persian Wars…and simply updated the setting to novel day NY and it’s raging gang warfare embracing the five boroughs!
Set amongst a hostile, nocturnal world of neon lit verbalize stations, baseball bat wielding gang members and lethal, gun toting women “The Warriors” moves along at a frenetic roam with a aesthetic selection of young actors taking the lead. Michael Beck plays the frigid headed, war chief “Swan”, seeking to salvage the other members benefit home to Coney Island alive and in one share. James Remar is unforgettable as the woman chasing, hot headed “Ajax”…always out to display his manhood with his fists. And David Patrick Kelly is perfect as the murderous, but cowardly leader of the Rogues.
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Attending a combined meeting of dozens of street gangs deep in the South Bronx to hear the Gramercy Riffs plans to control the streets of Recent York, the Warriors are wrongly accused of the shooting death of their charismatic leader, “Cyrus”. The finger of blame pointed their scheme, they coast via any means they can and upon their blueprint encourage to home execrable encounter violent opposition from the gross life “Orphans”, the shaven headed “Turnbull AC’s”, the face painted “Baseball Furies”, the seductive all female gang, the “Lizzies” and even rifts within their acquire ranks lead to pain.
The film was roundly savaged by several sections of the community (mainly law enforcement & welfare groups) upon it’s release for apparently inciting gang violence and it’s terrible depiction of inner city street kids, and yes, there were several unpleasant incidents at theatre’s upon the film’s release, but these have been blown well out of all proportion. Although, I must say when the film was released in my country (Australia) it was already riding a wave of notoriety, and attracted “unpleasant boys” in their droves to spy this “inferior” gang flick. When viewed in the chilly light of day, the film is actually fairly cartoon like in it’s depiction of urban violence and most anyone who receives a beating seems to be left honest rubbing their head and moaning ( consider Sylvester the Cat ) in discomfort!
Actor Thomas G. Waites who played the Warriors gang member “Fox”, disagreed with the script and effectively walked out in mid-production, so a grip doubled for Waites in several scenes and Waites’ name was removed from the final credits. Additionally, the “Fox” character’s fate was re-written to have him die in the film after being hurled in front of a subway mumble.
Interestingly, out of a on veil line up of promising young talent, very few of the cast went on to any valid major fame & fortune in Hollywood. Lead actor Michael Beck (Swan) went on to appear next in the sugary “Xanadu” with Olivia Newton-John, and by his enjoy admission, it was not a tall career fade, and his film career unfortunately never really flourished. James Remar (Ajax) has easily experienced the most success (with about 70 feature film’s under his belt) and he has continued his motif of tough, aggressive leads in films like “48 Hrs”, and plenty of “straight to video” action fare…plus Remar even crops up regularly on “Sex and the City” & “Third Glance” re-runs! (It’s advantageous to leer that hard hitting “Ajax” never left Original York.) And the terrific David Patrick Kelly has kept busy, usually in other nefarious, criminal roles…check out his performances in “Commando”, “The Crow” & “Wild at Heart”!
Sadly, young actor Marcellino Sanchez who played graffiti artist “Rembrandt” died from cancer only a few years after the films release.
The recently released “Ultimate Directors Cleave” of this cult classic has several worthy extras. Apart from an introduction from director Walter Hill, and some interconnecting laughable panel art between sequences in the feature, the DVD has four mini featurettes chock elephantine of interviews with key cast members and production staff discussing key sequences in the film, plus the phenomenal cult following that has developed for “The Warriors”.
A shiny, attractive and speedy paced film…albeit corny in places with that amusing savor yarn sub place with bee stung lipped, Deborah Van Valkenbergh…”The Warriors” is a bona fide cult film with a legion of fans across the globe.
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Compare Prices on The Death of a Prophet: Malcolm X
This so called documentary was abominable. It lacked allege and did not do justice to the memory of Brother Malcolm. It came across as a film school project.
Don’t raze your time on buying this. However, if you are a type a person that really likes Malcolm X and unprejudiced want to have this movie on hand as a collectible then go ahead and score it. Too short. Awful Relate, and borring. It was not advantageous at all. Plus Malcolm never said he was a prophet and wasn’t called a prophet by his followers so, I don’t know who made that up.
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Apparently the survival experts have spoken and MAN VS WILD = SUPERMEGA Groundless. That’s alright with me; I am an idiot who enjoys “dumbed down” productions such as Man vs. Wild moreso than I luxuriate in watching Survivorman, a note in which the adventurer (i.e. Les) sits around a campfire for 7 days while he plays his harmonica and does nothing else. Survivor experts are we??? …yeah…ok. I guess Surviorman is one who brings the excitement of hiking to the screen-he walks to a set, camps in a dwelling and does not go.
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Bear Grylls (or should I say the wicked Ed…) may camp in “hotels,” he may eat pieces of steak instead of badgers, he may jump through sheets of ice into a secretly hidden hot-tub beneath the surface of a “frozen lake,” he may even employ “smoke machines” to simulate the gaseous, boiling properties of lava, but he nevertheless is more of a survival expert than you and me. Any man or woman who goes into nature and puts his/herself into situations in which he/she shows inexperienced outdoorsman how to speed quicksand, animal threats, etc. has my respect. I thunder the beetle grubs he eats are false as well…. After using these techniques he displayed for creating compasses, building camps, and even learning of the different types of insects and plants that are edible in regions I myself have visited (i.e. the Moab desert and the Badlands), there is no doubt in my mind that the things he teaches are relevant and useful. While he may not camp through the entire night or eat every single disgusting insect/animal upon which he appears to dine, he nevertheless shows people what to do in moments of emergency.
I have faith in Bear/Ed, his camera crew, and the survival experts with whom he explores. While I do not doubt that some things are staged (i.e. the disclaimer at the beginning of the point to states this), there is no draw one can completely discount the prove, even if that SURVIVAL EXPERT does not agree with the techniques he employs. Further, I have a hard time believing that the Discovery Channel would allow a point to to air on their TV area that bore absolutely NO truth and applicability. That is simply ignorant. Contain Grylls is a genius and he should not have to suffer verbal abuse from naysaying simpletons.
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Do not allow the negative, pessimistic reviews from those excited with and at life deter you from purchasing this DVD. Capture this DVD and you will know how to survive; more importantly, steal this DVD and you will also know what it means to be human. I will pause writing now, as I aim to write a review and not an essay.
great for the stamp. 13 episodes. and as a bonus there’s bears mission everest. colossal retract.
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Buy Bent DVD at Amazon..
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WOW. What an astonishing narrative. Yes, we’ve all seen stories about Nazi Germany…and most have been very well done. Similar to “The Pianist,” this epic follows the life of one man as he’s rounded up for a concentration camp. This anecdote provides a new twist on the treatment of those deemed unworthy in the eyes of the Nazi regime — not because he’s Jewish, but because he’s overjoyed. If anyone’s ever wondered where the pink triangle became a symbol of the contented community, you’ll derive it here.
I won’t go into details about the narrative because you can read that in the description. However, I will say that this was a VERY well made movie and finally captures a recent side of the Nazi terrorism — the dilemma of gays. Another plus is that the movie is story-driven rather than sex-driven like many cheerful movies. You’ll actually gain to know the characters and delight in them for who they are…not who they do. Therefore, I highly recommend this movie for blissful and straight viewers.
BENT has an all-star cast that stars British actor (”Derailed” star), Clive Owen as the movie’s resident hero and lost soul, Max. Music epic, Mick Jagger has a slight allotment playing a female impersonator who disappears after the first 15 minutes. Lothaire Bluteau plays sentimental Horst, and Brian Webber is terrible, innocent Rudy.
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Even though the movie is ten years ancient I never heard of it until last week. It’s calm an awesome movie because it tells such a considerable account. Twisted tells the tragic yarn of two homosexual men in a concentration camp in Nazi Germany during the 30’s. When I first heard of this movie I belief that Curved was a queer title. But I reflect that after watching it anyone will agree that it’s a very appropriate title.
The first 30 minutes of the movie are somewhat slow-moving. It shows Berlin before Nazi Germany took over. As you know, during this time in Berlin men danced with men and women danced with women and all were free to be contented and overjoyed. At first gaze, it’s almost reminiscent of the classic film, “Expansive Hotel.” And I soon wished that there would be some dialogue and something inviting to eye because it seemed like the beginning was really dragging on.
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Max was a foolish man to bring home another man that he met the night before, Wolf (played by Nikolaj Coster-Waldau.) Sadly, when the Nazis demolish in, Wolf’s demise is fleet and brutal.
Max and Rudy try to find out of Germany because they are both homosexual men living in a country that wants them treated in the most inhumane ways possible. In the concentration camps homosexual men are the very, very lowest of the uncouth. So, Max and Rudy have to sleep in the woods, or as Rudy calls it, the “jungle” while they hasten for a scheme out of Germany. As Rudy embraces Max to profess his cherish the Nazis near running towards them.
Both men are set aside on a lisp heading to a concentration camp. I don’t want to give too mighty away but the relate scenes are among the most grievous and hardest to peruse. I can’t imagine that hell is any worse than what my blissful brothers and sisters had to go through during the Holocaust. I reflect this movie was originally rated NC-17, and although I am very grateful that this yarn is being told I am also grateful that I only watched the cable TV version (which was unruffled unlit enough.)
Max has to thunder the Gestapo that Rudy is not his friend (i. e. lover) ; for his believe (temporary) safety. Clive Owen gave an especially momentous performance during the whine scenes because it was clear that he was trying to come by Rudy out of his head (but could not.) Max first meets Horst on their “utter stir to purgatory” and Horst tells him that he must not derive stop to anyone if he wants to survive in this state. Now I know why this represent is called Crooked.
At the concentration camp, Max bribed one of the guards so he could work with Horst. Their mundane job is to travel expansive boulders assist and forth, all day. The only purpose of this task is to design them emotionally and physically feeble.
Even under such adverse conditions, Max and Horst descend in care for. But they can never touch each other or even glimpse at each other. They can never bear one another’s hand or feel the other’s breath. If one of the Nazis saw either man in even the most innocent intimate embrace or even having casual contact he would surely be dull.
So, instead both men talk to each other. They have a appreciate affair in their minds. My common parts are when Max and Horst were working alone and able to talk to each other. At least in their minds they could admire each other and not be shrinking of the consequences.
Clive Owen’s performance in this film was absolutely perfect. I am not an actor, but maybe it’s easier for actors to act when they are surrounded with talent, and the rest of the cast was also flawless. Max totally reminded me of Ennis Del Mar. Both men had so worthy pent-up self-hate. However, Max’s was distinguished more fundamental, and bent. It became evident that the abuse the Nazis inflected on Max’s mind was unbiased as brutal and barbaric as the physical corruption that they generously dished out. Clive Owen should’ve gotten an Oscar nod for his portrayal of Max. (I guess in 1997 it wasn’t politically proper to give blissful movies Oscars? )
Why is Zigzag so tragic and shaded? Because it is upright. The movie’s realism will haunt you for days (or even weeks.) The characters are fictional, but be assured it did happen. This movie reminded of a very grand book, “Watch A Pale Horse.” This was a book based on moral events which also describes a glad care for tale during the Holocaust.
Who do I recommend this movie to? Anyone. Not unbiased the elated community, but to all of humanity. Anyone that has any feeling will bleed for these terrible men: Wolf, Rudy, Max, Horst; and the thousands and thousands of homosexuals that were tortured and murdered for no other reason than for being born happy.
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“Something To Do With the Wall”
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Remembering the Berlin Wall
Amos Lassen
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First Bustle Features brings us a recent documentary on DVD which looks at a racy allotment of history, the Berlin Wall. Ross McElwee began making this film proper before the wall fell and history was to be changed forever. Germans and other residents who remember the Wall voice their stories and we are drawn into the film by the insightful comments and the historical narration. The Wall was the symbol of hard-line Communism and the Chilly War. We gawk Germany during and after the Wall and some of what we learn is astounding. We become acquainted with the unified city in a scheme I would have never concept possible and the movie almost plays like fiction. This is an absolutely astonishing film.
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Buy The Matchmaker DVD at Amazon..
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This review refers to the Universal DVD edition of “The Matchmaker”…..
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Funny and romantic, sweet and charming, an unlikely but brillantly witty leading lady and the beauty of Ireland combine to compose this miniature film a definate keeper! This one very worthy reminds me of those fantastic romantic screwball comedies of the 30’s and 40’s.
Marci Tizard(Janeane Garofalo) is sent on on assignment by her boss, a Senator from Boston Mass, who is in dire need of some abet getting re-elected. The assignment…to earn the Senator McGlory’s relatives in a minute Brigadoonesque village in Ireland. Marci lands smack dab in the middle of a matchmaking festival and must ward off suitors in her quest to accumulate the senator’s roots. The towns people are charming but quirky, and there is one in particular that gets under Marci’s skin. A cynical ex-journalist(David O’Hara) matches wits with her and it’s a match made in heaven(or Ireland) .
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Also starring is the fabulous Milo O’Shea as “The Matchmaker”, who cleverly tries to bring these two together. The laughs are non close and will leave you smiling for some time afterwards. It was directed by Price Joffe and has a terrific atmospheric soundtrack as well.
There are a couple editions of this DVD and the one I am reviewing has a recount of Janeane Garofalo with the gorgeous hills of Ireland in the background and it is in the middle of a white building. Milo O’shea is standing on the ground, the title is is red with a clover in the name. I report it in detail because the tech info here differs on some aspects. The studio of production is Universal (not USA) . The film which was shot on plot in graceful Ireland has been given a fair transfer and may be viewed in widescreen(2.35:1) or the standard format. Suited surround sound in DD5.1 lets you hear every detail. There’s not alot in the method of extras, but there are some cast bios and filmographies and Closed Captioning in English as well as subtitles in French and Spanish and some theatrical trailers.
The film is rated R for some langauge.
Great fun, a very appetizing hour and 40 minutes..go for it…Laurie
also recommended:
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Diamonds
I cherish this movie! The scenery is breathtaking, the acting is first rate, and the record is charming. This movie transports you to Ireland. The fictional village of Bali Na Gragh (sp? ) is overcast yet welcoming, and the people all peruse steady (not like extras on a Hollywood area) . It is refreshing to rep a romantic comedy that does not assume situation in an urban landscape. You won’t catch any Mystic Tanned lads or lasses here! Janeane Garafolo is gorgeously pale, and looks like a dependable woman. Her acting here is first rate, as usual. After watching the movie 8 times, it is hard to imagine anyone else playing the role of Marcy. Her “match”, Sean, played by David O’Hara is one of my popular male movie characters ever. He is a charming, shining cad with a heart of gold. O’Hara is definately not a Brad Pitt or Ben Affleck (thank God!), but man is he sexy! It’s about time a romantic comedy has a male lead that isn’t prettier than his female costar. The matchmaker, played by Milo O’Shea is the glue that holds this terrific yarn together. O’Shea’s narration throughout the film is hilarious. All the supporting cast is estimable, although I don’t understand why Denis Leary gets top billing in this film (after Garafolo) . His portion was very miniature, only somewhat pivotal, and could have been played by anyone. The movie follows Marcy to Ireland as she searches for Senator John McGlory’s Irish roots. She happens to approach during the matchmaking festival and meets Sean, who thoroughly irritates her. You can guess what happens next. I usually abominate romantic comedies. Any Meg Ryan/Tom Hanks combo makes me bustle for the hills! If you are like me, notice The Matchmaker. If the quirky, realistic chronicle doesn’t endear you, the soundtrack will! In fact, my ONLY complaint about The Matchmaker is that the soundtrack is not available. Do not miss this movie! It is probably sitting on the bargain shelf at your local video store, beacause not enough people know about it, or they are lacking taste. Step away from Sleepless in Seattle!! Give The Matchmaker a chance.
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Buy The Joan Crawford Collection, Vol. 2 Blu-Ray at Amazon..
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These are the Films of the first factual Movie-Star, Miss Joan Crawford. I cannot wait for this DVD station, because it will include some of Joan’s best movies!! And, the movies in this boxed situation include Joan at her most lovely! “Sadie McKee” is absolutely my popular movie, ever. Joan looks so comely in this 1934 MGM classic. I first saw this movie 5 years ago when TCM did a month-long Joan Crawford marathon; this was the first movie I ever saw with Miss Crawford and since then I became a great fan and completely fell in worship with this kind, ravishing and very talented actress! I also absolutely worship “Outlandish Cargo.” This is one of Joan’s best pictures with her number-one leading man, Clark Gable; and as far as I’m aware it is the only movie she ever made with Mr. Gable where she took second billing! After you belief these movies you will inspect why Miss Crawford was the hardest working woman in Hollywood!
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Isn’t the portray on the camouflage of this place really exquisite! Below is a list of each movie included in this dwelling, all movies are shown in pan and scan except for “Torch Song” which is in widescreen. (Scroll down, to seek a list of each one of the special features included, as well)
Sadie McKee (May 9, 1934) (Studio: MGM)
Runtime Listing: 90 mins.
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(Joan played: Sadie McKee Brennan)
Color/BW: Dismal and White
Brief Synopsis:
A working girl suffers through three terrorized relationships on her road to prosperity.
What Miss Crawford had to say about this movie: Everything about “Sadie McKee” was good - Gene Raymond, Franchot Tone, the script, Clarence Brown’s direction, Adrian’s customs, the works.
Strange Cargo (March 1, 1940) (Studio: MGM)
Runtime Listing: 111 mins.
Color/BW: Dusky and White
(Joan played: Julie)
Brief Synopsis:
Devil’s Island escapees are changed forever by a prisoner who thinks he’s Jesus.
What Miss Crawford said about her last represent with Clark Gable: Two absolutely astonishing films and so different (also discussing “Susan and God”) It’s a shame I couldn’t have retired good then, and near attend to do “Mildred Pierce.” Clark and I did our best work together in “Exclusive Cargo.” We had always been conclude, sometimes too halt, but now we knew each other as former persons and the chemistry was calm there and it added to the fire.
A Woman’s Face (May 14, 1941) (Studio: MGM)
Runtime Listing: 105 mins.
Color/BW: Dusky and White
(Joan played: Anna Holm aka Ingrid Paulson)
Brief Synopsis:
Plastic surgery gives a scarred female criminal a fresh outlook on life.
This is what Miss Crawford says about this picture: I have nothing but the best to say for “A Woman’s Face.” It was a beautiful script and George(George Cukor, the director) let me bustle with it. I finally timorous both the critics and the public into realizing the fact that I was, at heart, a dramatic actress. Mammoth thanks to Melvyn Douglas; I consider he is one of the least-appreciated actors the veil has ever former.
Flamingo Road (May 6, 1949) (Studio: Warners)
Runtime Listing: 94 mins
Color/BW: Shaded and White
(Joan played: Lane Bellamy Reynolds)
Brief Synopsis:
A stranded carnival dancer takes on a defective political boss when she marries.
Here are Miss Crawford’s comments on this film: …This script missed, Curtiz (the director) missed, I missed. I impartial didn’t jell, that’s all, and it’s another time when my judgment screwed up completely, because we were shooting it I understanding it would be obliging.
Torch Song (October 23, 1953) (Studio: MGM)
Runtime Listing: 90 mins.
Color/BW: Color (MetroColor aka EastmanColor)
(Joan played: Jenny Stewart)
Brief Synopsis:
Musical comedy fable Jenny Stewart, who has been hardened by the worst life has to offer, finds romance when blinded war-veteran Tye Graham becomes her unusual piano accompanist.
Miss Crawford’s comments on this movie: …Assist at Metro, after all those years… it was like a homecoming, and half the people on the residence, the prop men and the grips…. they remembered me and I remembered them. I loved doing that film. It gave me a chance to dance again, to pretend to explain, to emote all over the position and in color yet! (Note: This is Miss Crawford’s first staring role in a major motion recount that is entirely in color!) If I hadn’t brought it off I’d only have myself to blame because all the elements were there.
This boxed spot also includes a lot of special features, many of which I enjoyed very great. I especially got a kick out of Joan’s “Torch Song” recording sessions! And, I enjoyed Joan’s rendition of “Flamingo Road” very distinguished because this is one of her first radio performances that I have heard and it also included a brief interview afterwards!
Sadie Mckee Special Features:
Goofy Movies Number Four (1934) (Studio: MGM)
Runtime listing: 9 mins.
Color/BW: Shaded and White
Brief Synopsis:
This is an MGM short which contains feature stories with laughable commentary.
“Jubilant Harmonies” “Toyland Broadcast” (December 22, 1934) (Studio: MGM)
Runtime listing: 6 mins.
Color/BW: Color (Technicolor)
Brief Synopsis:
This is an MGM short of an intriguing cartoon. The toys display a musical revue on their acquire radio status.
Sadie McKee Trailer (1934) (Studio: MGM)
Runtime Listing: 2 mins.
Color/BW: Gloomy and White
Strange Cargo Special Features:
Crawford & Gable
Runtime Listing: 14 mins.
More About Nostradamus (January 18, 1941) (Studio: MGM)
Runtime Listing: 10 mins.
Color/BW: Dismal and White
Brief Synopsis:
This is an MGM short which includes a brief biography about Nostradamus and highlights some of his accomplishments.
Strange Cargo Trailer (1940) (Studio: MGM)
Runtime Listing: 2 mins.
Color/BW: Sunless and White
A Woman’s Face Special Features:
You Can’t Fool A Camera (May 1941) (Studio: MGM)
Runtime Listing: 10
Color/BW: Murky and White
Brief Synopsis:
This short starts out with a dramatization in a documentary-format. Then it ends showing some of the stars of the time with a salute to the actors who have entered the armed forces.
Note: On the disc it is subtlitled as “A Original Romance of Celluloid,” however I did not gawk this anywhere on the short.
Little Cesario (August 30, 1941) (Studio: MGM)
Runtime Listing: 7 mins.
Color/BW: Color (Technicolor)
Brief Synopsis:
This is an sharp MGM short.
Screen Guild Playhouse (April 19, 1942)
Runtime Listing: 30 mins.
Color/BW: N/A
Brief Synopsis:
Bette Davis gives a radio performance of “A Woman’s Face.” This is only an audio recording.
Note: This can not be lickety-split forwarded.
Also Note: While this is playing, the cloak fair includes the “A Woman’s Face” special features menu up.
Lux Radio Theater (November 2, 1942)
Runtime Listing: 57 mins.
Color/BW: N/A
Brief Synopsis:
Ida Lapino gives a radio performance of “A Woman’s Face.” This is only an audio recording.
Note: This can not be hasty forwarded.
Also Note: While this is playing, the cloak unprejudiced includes the “A Woman’s Face” special features menu up.
A Woman’s Face Trailer (1941) (Studio: MGM)
Runtime Listing: 3 mins.
Color/BW: Sad and White
Flamingo Road Special Features:
Crawford at Warners
Runtime Listing: 12 mins.
Curtain Razor (May 21, 1941) (Studio: Warners)
Runtime Listing: 7 mins.
Color/BW: Color (Technicolor)
Brief Synopsis:
This is a Warners short/cartoon that features Porky Pig as a talent scout.
Screen Director’s Playhouse (May 26, 1950)
Runtime Listing: 25 mins.
Color/BW: N/A
(Joan played: Lane Bellamy Reynolds)
Brief Synopsis:
Joan gives us a very special treat when she reprises her critically acclaimed role from “Flamingo Road” for radio! Joan’s radio performance comes in at 22 minutes and afterwards there is a brief interview with Joan and the director, Michael Cortiz.
Note: This can not be speedy forwarded.
Also Note: While this is playing, the camouflage honest includes the “Flamingo Road” special features menu up.
Flamingo Road Trailer (1949) (Studio: Warners)
Runtime Listing: 2 mins.
Torch Song Special Features:
Tough Baby: Torch Song
Runtime Listing: 12 mins.
TV of Tomorrow (June 6, 1953) (Studio: MGM)
Runtime Listing: 7 mins.
Color/BW: Color (Technicolor)
Brief Synopsis:
This is an MGM short which discusses television viewing “of tomorrow” in a very comical intention.
Jimmy Fund Public Service Announcement (1953) (Studio: MGM)
Runtime Listing: 3 mins.
Color/BW: Murky and White
(Joan played: herself in a public service message)
Brief Synopsis:
This is a commercial that Joan made which was shown before her movie, “Torch Song.” Many fans, including myself have seen this scarcely-seen commercial, but this includes the entire announcement in its entirety!
Unreleased Torch Song Recording Sessions/Rehearsals (1953) (Studio: MGM)
Runtime Listing: 31 mins.
Color/BW: N/A
(Joan played: more or less the character of Jenny Stewart)
Brief Synopsis:
This includes incredibly-rare, uncut audio clips of Joan singing for “Torch Song.”
Note: This can not be posthaste forwarded.
Also Note: While this is playing, the shroud objective includes the “Torch Song” special features menu up.
Torch Song Trailer (1953) (Studio: MGM)
Runtime Listing: 3 mins.
Why was Miss Crawford such a bright and unconventional star…?
Miss Crawford was a safe star, who worked her a-s-s off to obtain to where she was! And, do you know what she did once she got there? She worked 10 times harder…! Joan had the longest and most impressive film career of any star during Tinseltown’s renowned Golden Age of Cinema! Joan’s career lasted 5 decades! And her career proved to be more actual to her than any lover or husband! Miss Crawford was always known for her fashion-sense, classical beauty and the ability to constantly re-invent herself (half a century before the Material Girl was a household name!)
Joan Crawford started her career in 1925 as a flapper, playing in bit parts as a contract-player for the most dazzling studio in town, MGM. She was nothing more than a glorified prop, unbilled in her first film, “Lady of the Night.” Soon, Joan was promoted to leading-lady, appearing in such critically-acclaimed pictures as, Harry Langdon’s Tramp Tramp Tramp, and Lon Chaney’s The Unknown. But it wasn’t until Joan celebrated the role of Diana Medford, in Our Dancing Daughters that she became a bona fide star! By the ruin of the decade Joan had more than 20 pictures under her belt!
In the 30’s when many tranquil stars were bowing out gracefully, Joan was abet with a vengeance! This time Joan was the runt shop girl that Depression-Era American ladies (and maybe even some boys, too) could really identify with. Miss Crawford could be seen acting in such celebrated movies as, “Letty Lynton,” Rain, Large Hotel, and one of my personal favorites, Forsaking All Others (1934) . Some of the 25 classics that Joan also made during the 30’s include: Dancing Lady, Laughing Sinners, Dance, Fools, Dance (Forbidden Hollywood), Chained, “No More Ladies,” Comely Hussy, Admire on the Hasten (1936), The Bride Wore Red, Mannequin (1938) and of course one of her most approved ever, The Women!
“No more goddamn shop girls,” Joan was once quoted as saying to MGM chief-honcho, Louis B. Mayer. In the 40’s Joan yet again came abet in another one of her many incarnations, this time as the society matron in such movies as, When Ladies Meet, Reunion in France and Above Suspicion (1943) . In 1942 Miss Crawford donated her entire salary from Columbia’s They All Kissed the Bride to the war-effort and then she turned around and fired her agent when he didn’t do the same! After 18 years of being a member of the MGM family, Miss Crawford took a large gamble and decided to branch out, this time working for the actor’s studio, Warners. Joan’s first film for Warners, was her most illustrious movie, and it garnered her the Oscar for Best Actress; playing the title role in her defining-film, Mildred Pierce . Joan also made a slew other advantageous pictures during this period, such as: Humoresque and Daisy Kenyon . Bright to Warners really paid off for Miss Crawford, because she also received her second Academy Award nomination for Possessed, playing the harried Louise Howell! Of course, Miss Crawford had all the time in the world for our servicemen. Joan was often seen at the Hollywood Canteen bright our boys; …how many of today’s movie stars pick up off their pedestals to do this?
The 50’s marked a very pivotal time in Joan’s well-known career. Because in the next chapter of her relate resume, she played the sure and strong matriarch in many extraordinary dramatic cinematic masterpieces. Such as, Harriet Craig, Queen Bee, “Female on the Beach,” The Damned Don’t Yowl, “Goodbye My Admire,” Memoir of Esther Costello and Autumn Leaves. Miss Crawford also received her third Academy Award nomination playing Myra Hudson in RKO’s Sudden Alarm. And never one to be typecast, Joan made a great splash in Johnny Guitar, portraying a tough saloon owner in the wild-west! Also beginning in the 50’s, Joan took up the campaign as official spokeswoman for Pepsi-Cola; a coveted role that she enjoyed for more than 18 years!
In the 60’s Miss Crawford didn’t tiring, down for a second! Nope! She came out swinging. Joan made the whole country ask in droves, What Ever Happened to Baby Jane? . In one of her most famous pictures ever, Joan played Blanche Hudson, opposite another very talented actress, Ms. Davis, in this attractive Warners film! Throughout all the 60’s Joan was known as the “Weep Queen.” She stared in such cult-favorites as, Strait-Jacket, Della, I Saw What You Did and Berserk!! It was also around this time, that Miss Crawford penned her autobiography, A Portrait of Joan Crawford.
Even in semi-retirement, Miss Crawford mild always kept busy during the 1970’s. This time she was the Hollywood Narrative, and everyone knew it! When the movie studios weren’t knocking on her door, she switched to television. In one of her last television appearances, Miss Crawford played the fraction of Joan Fairchild in ABC’s “The Sixth Sense: Dear Joan: We’re Going to Panic You to Death.” She also wrote her second book, the best-selling My Plan of Life. And, Joan always found the time for some of her common charities; donating her talent and time to The Muscular Dystrophy Association and The American Cancer Society. Of course, Joan also made time to reveal to her excellent friend and journalist Roy Newquist. Mr. Newquist was actually the only journalist that Miss Crawford chose to swear to during the slow 70’s, and his thoughtful (and unprecedented) interviews with Joan were published in the 1980 book, Conversations with Joan Crawford.
Miss Crawford perished a second time when the majority of the public threw her away and vilified her as a lunatic. But this death was noteworthy more painful. Because not only were Joan’s films forgotten, but all of the beneficial she did during her lifetime was also completely erased! The upright Joan Crawford was kind, compassionate and respectable to a fault. Joan was a self-made lady who worked for everything she got. She honest wanted to preserve her head above water in a man’s world where women didn’t have a narrate or a choice. Miss Crawford never for a second forgot where she came from or who she was, and she never for a moment let her beloved fans down! All Joan wanted was for someone to give her a chance and bear in her. I really am so jubilant that this state is coming out because maybe now the public can peer the steady Joan Crawford and remember her as she truly was!
This is the long awaited second volume of the Joan Crawford Collection. Joan had a very long career in films spanning from the peaceful era and MGM into the 1970’s. She was one of the few actresses to successfully manufacture the transition from silents to sound, and this residence gives you a sampling of her roles from 1934 to 1953. The following are the five films in this state and their extra features:
Sadie McKee (1934)
One of the last precodes, this film is a melodrama that has Joan Crawford playing a totally virtuous character throughout. She’s a maid who is fired for telling off the head of the household (Franchot Tone) . Next, her boyfriend deserts her for a chorus girl. She ends up marrying an alcoholic millionaire strictly as a matter of survival, but she does wait on her husband cure himself of his alcoholism. Afterwards she asks for a divorce so she can go search for for her traditional boyfriend, who is now alone and quite ill. This movie introduced the song “All I Do is Dream of You” by Arthur Freed and Nacio Herb Brown.
DVD Special Features: (waiting confirmation from Michael Crawford)
Vintage comedy short Goofy Movies #4
Classic cartoon Toyland Broadcast
Theatrical trailer
Strange Cargo (1940)
Andre (Clark Gable) is a convict in a French penal colony in South America. The first time he tries to hurry saloon girl Julie (Joan Crawford) turns him in. His second attempt is successful, and this time he throws in his lot with several other escapees, one of which seems to always know what is about to happen, and is even able to diagram right maps of rush routes. During this hurry Andre runs into Julie again. At the conclusion of the hasten Andre realizes the reason for the one prisoner’s amazing abilities and has a change of heart. A very exclusive film and a peculiar role for Crawford, although I found it enthralling. Directed by Frank Borzage who is well-known for his care for stories gripping crime, loss, and redemption.
DVD Special Features:
New featurette: Gable & Crawford
Vintage short More About Nostradamus
Classic cartoon The Lonesome Stranger
Theatrical Trailer
A Woman’s Face (1941)
One of Joan Crawford’s best performances as a woman whose scarred face embitters her and leads her into a life of crime until a surgeon (Melvin Douglas) decides to operate and grasp her outer scars. However, her inner scars remain and she finds it hard to change even with the relieve of the pleasant doctor. This film initially failed at the box office, but was recognized as a classic years later. Directed by George Cukor.
DVD Special Features:
Vintage Romance of Celluloid Short You Can’t Fool a Camera
Classic cartoon Tiny Cesario
Two audio-only radio adaptations with Bette Davis and Ida Lupino
Theatrical trailer
Flamingo Road (1949)
Lane Bellamy (Joan Crawford) is a dancer touring with a carnival who falls in care for with Fielding Carlisle. However, a marriage to a carnival dancer is not what Fielding’s political handler, Titus Semple, considers a expedient proceed for his protege. Thus he has Lane framed and sent to jail and arranges a loveless marriage for Fielding with a girl more appropriate for the future he has planned for him. Once out of jail, Lane falls in treasure with and marries another prominent person, but their future together is threatened when Fielding comes to call. Directed by Michael Curtiz.
DVD Special Features:
New featurette: Crawford at Warners
Classic cartoon Curtain Razor
Audio-only radio adaptation with the film’s stars
Theatrical trailer
Torch Song (1953)
This was Joan Crawford’s return vehicle to MGM after having left ten years earlier, and is the weakest of the films in the bunch, but that doesn’t mean it’s poor. Instead it is tall fun because it is such a camp classic. Too unpleasant there’s no commentary, because I would really like to know what went on tedious the scenes in this one. It has everything - Technicolor, an over-the-top wardrobe for Joan, and of course there’s Joan as a steamroller of a woman that no man can stand up to except a British pianist, blinded in WWII. And then there are the musical numbers - well, you’ll have to glance it for yourself.
DVD Special Features:
New featurette: Tough Baby: Joan Crawford and Torch Song
Audio bonus: Joan Crawford recording session
Public service announcement trailer: At Home with Joan Crawford
Vintage MGM cartoon: TV of Tomorrow
Vintage MGM short
Theatrical trailer
All films B&W and Mono, in 1.37 aspect ratio, except Torch Song, which is Color and 1.77 aspect ratio as originally shown in theaters. The details for the extra features approach from a press release from Warner Home Video. This location is currently scheduled for release on February 12.
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As Young as You Feel is best known as one of Marilyn Monroe’s most impressive early performances, but it is a immense, bright, richly silly, and thought-provoking movie in its occupy correct. The entire cast is sterling, boasting particularly impressive performances from the always acerbically comical Thelma Ritter, supporting actor extraordinaire David Wayne, the glowing Jean Peters, and the impeccably immaculate Monty Woolley. Woolley plays John Hodges, a man who loses his job working a hand press at a printing company when he turns sixty-five, as it is the policy of Consolidated Motors to force all of the workers at its subsidiaries to retire at that age. When he inquires about the parent company, no one seems to know anything about it, not even the president’s name. Thus is born a incandescent arrangement whereby Hodges dies his white hair and whiskers, assumes the identity of none other than CM president Harold P. Cleveland, and easily convinces the executives of Acme Printing to ignore the mandatory retirement clause in its operations. Things go a puny farther than he planned, though, and he soon finds himself giving a speech at the Chamber of Commerce, dining at the country club, and causing a rush among both the public at expansive and the business world. His speech about the nobility of the worker, the wholly unquantifiable contribution of the aging yet skilled artisan who takes pride in his work, and his emphasis of the individual over the bureaucracy is published and spreads like wildfire, restoring a sense of pride and commitment in the public, sending the stock of Consolidated Motors through the roof, and rallying the entire national economy. This is where things catch complicated, as the true president of Consolidated Motors finds out about the broad speech “he” made, the truth of the matter begins to slowly work itself out, and a number of related personal issues between many of the prominent characters approach to a head.
Marilyn Monroe is absolutely astonishing in her miniature yet famous role as the secretary to the president of Acme Publishing, demonstrating the beauty, talent (both dramatic and comedic), and charm that would soon produce her a superstar. Even though her cloak time ranked far below that of several of her talented co-stars and her name appears sixth in the credits, Marilyn was actually featured most prominently in the publicity associated with the movie’s release in 1951, which is a considerable testament to her star potential at that time in Hollywood. Perhaps this role as distinguished as any of her early movie appearances brought her to the attention of the public, the critics (who hailed her performance here), and the powers that be in Hollywood. No Marilyn Monroe fan should forego the privilege of watching her colorful performance in this heart-warming comedy, and no fan of apt movies in general should pass up the opportunity of enjoying a film that gives loyal meaning to the phrase, “They don’t develop them like this anymore.”
Thelma Ritter, Monty Woolley and Constance Bennett star in AS YOUNG AS YOU FEEL, a breezy comedy satire about an ageing worker in a printing firm who simply refuses to retire!
Buy,Download, Or Stream As Young As You Feel! Click Here
This has been issued (along with several other features) as supplements to the ‘Marilyn Monroe Diamond Collection’ box sets. AS YOU AS YOU FEEL is one of her earliest features, though her role is really only slightly bigger than a cameo. It’s sparkling sure that Fox was unsure how to fully market Monroe and was leary as to her potential.
Twentieth Century-Fox placed Marilyn in supporting roles at the beginning of her contract. These were mostly B-comedies, where she more often than not played a secretary or the sexy girl neighbour. Perhaps her best ‘bit role’ came when she played Miss Caswell in ALL ABOUT EVE. Monroe really got her first vast acting role as Nell in the eerie noir drama DON’T BOTHER TO KNOCK (and that same year she played opposite Barbara Stanwyck in CLASH BY NIGHT) .
Buy,Download, Or Stream As Young As You Feel! Click Here
Buy,Download, Or Stream As Young As You Feel! Click Here
AS YOU AS YOU FEEL is a must-own for Marilyn completists, though the reveal rightly belongs to Ritter, Woolley and Co.
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